This article analyzes how five Argentine documentaries narrated the paradox of the 1978 World Cup: the popular celebrations in the streets during the last military dictatorship. Through La fiesta de todos (1979), Mundial 78, la historia paralela (2003), Mundial 78: Verdad o mentira (2007), Paralelo 78 (2008), and Argentina 78 (2024), the article examines how each production constructed the image of the celebrating people in relation to state repression. The celebrating people were incomplete—missing thousands of detainees and disappeared persons—and cannot be equated with the Military. Each film reflects the historical moment in which it was produced: while the first is simply a propaganda film, the subsequent ones adopt an accusatory stance toward civil society, while Argentina 78 (2024) recaptures the joy of football and absolves the civil sphere of direct responsibility, in line with the most recent historiographical debates on the terms "military dictatorship" versus "civic-military." The central conclusion is that these documentaries, viewed together, form a democratic and pluralistic dialogue on Argentine collective memory.
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